Greg Weisman and Christopher Jones talk Young Justice

World’s Finest Online has just posted an interview with Greg Weisman (Young Justice show-runner and writer for both the TV show and comic), and I Q&A I did for them, both featuring lots of talk about the Young Justice comic book. Check ’em out!

Writer Greg Weisman Teases Upcoming Stories For Young Justice Comic Series

The World’s Finest Q & A With Christopher Jones, Comic Artist For Young Justice

And remember, Young Justice #11 is OUT NOW!

Young Justice #11 page 2

Young Justice #11

Young Justice #11 is out TODAY!

…and DC Comics has a 4-page preview on line! Story by Greg Weisman and Kevin Hopps, artwork by myself and inker Dan Davis. Check out the preview and then pick up the comic in digital form or at your local comic shop!

Young Justice #11 cover final

Young Justice #11

The spotlight turns to Robin, who must leave his teammates to fight alongside his crimefighting mentor, Batman. And the stakes couldn’t be higher for the Dynamic Duo as they face off against the Demon’s Head himself: Ra’s al Ghul!

Written by: Greg Weisman and Kevin Hopps
Art by: Christopher Jones & Dan Davis
Cover by: Christopher Jones
Release Date: December 21st, 2011
Cover Price: $2.99

What’s this?

Mystery Page

Mystery Page

This is artwork from a sadly unpublished project. Recognize it? Here’s a clue: It’s based on a British TV show.

I’ll have a blog post about this unpublished project tomorrow!

Title Pages: Batman Strikes #14

It’s time for another installment of Title Pages, featuring another title page from my run on The Batman Strikes! which was a tie-in comic for The Batman animated TV series. A Title Page is the page which features the story title and credits for the issue, and is often (but not always) a Splash Page, which is a full-page image, rather than a page broken up into multiple panels.

Issue #14 of The Batman Strikes! was the concluding chapter of the 50-issue series’ only 2-parter, and we opened with a full-page splash continuation of the previous issue’s cliffhanger: Batman and Catwoman under attack by Clayface!

Strikes #14 - Title Page pencils

Strikes #14 – Title Page pencils

Strikes #14 - Title Page inks

Strikes #14 – Title Page inks

 


This page is a great example of how I really tried on this book to compose pages with areas of high-contrast light and dark. And the full-page splash allowed me to frame a nice shot of good and gloppy Clayface menacing Batman and Catwoman and still gave me room for one of my more elaborate title logo designs, complete with hourglass and ripping letters, with space below for the story credits. That kind of texture work really played to series inker Terry Beatty’s strengths, and I always looked forward to seeing what he’d do on pages like this.

Strikes #14 - Title Page color

Strikes #14 – Title Page color

Sadly, this page is also a great example of why I wish I’d had more input on the coloring of this series, as I often felt like the approach used was working in direct opposition to what I was trying to do with the lien art. For some reason Clayface was given a special color treatment where all the blacks on the figure were lightened from pure black to a dark gray color. I felt this really flattened the character by diminishing the contrast of the light-and-shadow effects I was employing to give the figure weight and mass. A similar lightening effect was used on the cityscape in the background and the buildings were placed against a sky color that was tonally similar, which served to visually obliterate the skyline, and doesn’t bear any resemblance to how skyscapers in a large city look at night. Furthermore, a similar lightening color effect was employed on the clay in the foreground that Batman and Catwoman were immersed in. I feel that the coloring effect so overpowered the line art, that it’s use in the foreground, midground and background really flattened the whole image, and turned what had been a carefully composed image into something of a muddy (pun-intended) mess.

At least the coloring on the logo worked well, and the bottom third of the page really pops. I just wish that this coloring effect wasn’t used on Clayface, as it was through the whole issue!

I’ll have more installments of Title Pages soon, but until then you can check out previous installments!

Doctor Who: The Movie?

So the recent flap over a possible Doctor Who feature film seems to be a disconnect between the BBC’s Film Division and it’s Cardiff-based Television Division, and is being fought in public by wanna-be Who director David Yates (Harry Potter) and current Doctor Who showrunner Steven Moffat (Doctor Who, Sherlock). In short, David Yates wants to “revamp” Doctor Who, making it a big film franchise with big-name actors and a recast Doctor. Steven Moffatt says any Doctor Who feature film would be made in cooperation with the production team of the TV show and the current television Doctor. This got me thinking about whether *any* Doctor Who film would get me that excited.

Peter Cushing as "Doctor Who"

Peter Cushing as "Doctor Who"

We’ve heard talk about a Doctor Who feature film for years. There have been two of them, made in the 1960’s starring Peter Cushing as the Doctor and the films were made at the height of Dalekmania and are direct adaptations of the first two Dalek stories from the TV show. Peter Cushing is marvelous as the Doctor, but the movies make odd changes to the relatively simple premise of the show that hadn’t yet grown into the massively complex mythology it is today. The Doctor is actually named “Doctor Who”, and is an earth-born scientist who built a time machine in his back yard that looks like a police box for no particular reason. These films could serve as a lesson in the pitfalls of a Doctor Who a feature film out of continuity with the TV series.

Doctor Who Scratchman poster

This film was never made (and wouldn't have looked this cool)

Tom Baker and Ian Marter tried to get a Doctor Who feature film made in the 1970s but it never happened. And there have been countless rumors and genuine attempts at a feature film since then. (You can read about many of these attempts in the book The Nth Doctor.) Most of these were in the time before the 2005 relaunch of the show, when Doctor Who was either a television series of very (ahem) *modest* production values, or was off the air entirely. The thought of seeing Doctor Who return and on a big budget seemed very exciting, but I was always worried that such a production would lose the quirky, whimsical tone of the show. Well in 2005, thanks to Russell T. Davies and company, Doctor Who did return on a big budget, but it was on television. We got 13 new adventures of The Doctor per year (plus a Christmas special), with production values surprisingly lavish for television, shockingly lavish for British television! And the sometimes-dramatic, somtimes-silly, always-clever tone of the show had evolved into something faster and snappier for the 21st century, but it was most certainly intact!

Doctor Who in 2011

Doctor Who in 2011

So what do we need a feature film for? Sure the scale could be made grander still, with even more action and bigger stars. But does Doctor Who need that? This is a show that has always been more about great characters, clever stories and witty dialog than epic action. Why do a featrue film given what we’re getting on television?

Well I figured it out. I know what I want in a Doctor Who feature film that would deliver an adventure the TV show could never give us, and with all due respect to Mr. Yates he’s not the one who can deliver it.

Let Pixar make it. Can you imagine a Doctor Who feature film with the strength of story and character, the sense of design and the action of The Incredibles? Or Monsters, Inc.? I realize that a partnership between the BBC and Disney/Pixar for such a film is unlikely to the point of absurdity, but most of these rumored Doctor Who films weren’t ever going to happen. Let me at least fantasize about the one I’d want to see!

Oh, and letting Steven Moffat help with the script probably wouldn’t be a bad idea.