Coming in November: Young Justice #22

Young Justice #22

Young Justice #22

YOUNG JUSTICE #22
Written by GREG WEISMAN
Art and cover by CHRISTOPHER JONES
Color by ZAC ATKINSON
On sale NOVEMBER 21 • 32 pg, FC, $2.99 US • RATED E

• The Invasion continues!
• Earth’s greatest heroes are kidnapped by Kylstar!
• Brainiac has Metropolis under glass and Lex Luthor’s secret weapon is on the loose!

Those are the things DC chose to plug in the solicitation, but the online Dick/Babs “shippers” are already geeking out over the Nightwing/Batgirl moment captured on the cover!

I’m having a great time drawing all the new Season 2 Young Justice characters, plus all the amazing guest heroes and villains! Young Justice #18 is still on the stands, and #19 will be out soon. You can find Young Justice at your local comics shop or in digital form!

Comic Book Storytelling: Wally Wood’s Panels That Always Work

wally wood panels Poster PR

A lot of comic book storytelling is an art that is hard to quantify and distill into set rules. Some of the best analysis of this subjective art form has been written by master for the form Will Eisner in books such as Comics and Sequential Art, and by the great Scott McCloud in his seminal work Understanding Comics.

But rarely has there been anything as simple, and elegant as Wally Wood’s Panels that Always Work.

Wally Wood is one of the comic book greats of the 20th Century, and not much was known about the origins of this piece as it began circulating among comics professionals and fans, first in the form of photocopies and then on the internet.

In 1980, Wood’s original, three-page, 24-panel (not 22) work was published with the proper copyright notice to Wood, in The Wallace Wood Sketchbook (Crouch/Wood), but the most widely-distributed version of this work was an unauthorized one. Around 1982, Wood’s ex-assistant Larry Hama, by then an editor at Marvel Comics, pasted up photocopies of Wood’s copyrighted drawings on a single page, which Hama titled “Wally Wood’s 22 Panels That Always Work!!”  Hama left out 2 of the original 24 panels as his photocopies were too faint to make out some of the lightest sketches. Hama distributed, what has been called, Wood’s “elegantly simple primer to basic storytelling,” to artists in the Marvel bullpen, who in turn passed them on to their friends and associates.

Wood’s “Panels That Always Work” is a trademark of, and is copyright, Wallace Wood Properties, LLC as listed by the United States Copyright Office which assigned the work Registration Number VA0001814764. The Wallace Wood Estate has released the ONLY official, authorized print of the work. Larry Hama appeared in support of the Estate’s official print, at the 2012 Comic-Con International in San Diego.

Aritst Rafael Kaynanan assembled 22 Panels Revisited, recreating the 22 examples with actual panels from Wally Wood’s completed comics work, rather than quick thumbnail sketches.

Wood's 22 Panels Revisited

Wood’s 22 Panels Revisited

And finally, cartoonist and publisher Cheese Hasselberger created 22 Panels that Never Work, featuring… well you get the idea.

22 Panels that Never Work

22 Panels that Never Work

 

Welcome to Mars!

Welcome to Mars

Welcome to Mars

In honor of Curiosity’s successful landing on Mars last night, I thought I’d share this piece of artwork. This was originally done as a Souvenir Program Guide cover for CONvergence, back in 2006 for the convention theme of “Boldly Go.” It features the CONvergence mascot Connie and a few familiar friends. Can you identify them all?

Congratulations to everyone at NASA and the Jet Propulsion Laboratory on this fantastic accomplishment!

Coming to New York Comic Con!

New York Comic Con

New York Comic Con

Just added to my page of upcoming appearances: New York Comic Con! I’ll be in Artists Alley for the full 4-day show, October 11-14 at the Javits Center in New York City. If you’re going to be there, plan to look me up!

 

 

Dredd and Daredevil – Separated at birth?

Dredd & Daredevil

Dredd & Daredevil

Don’t get me wrong – I’m looking forward to the new Dredd movie. I love Karl Urban and it looks much more promising than the 1995 abomination with Sylvester Stallone.

But when I saw the new poster it looked familiar to me somehow, and then I placed it. Given the regard most people have for the 2003 Daredevil film, is this a comparison the filmmakers want to invite?