Gerry Anderson’s UFO – part 3

Here’s part three in a series collecting the art from an unpublished comic based on Gerry Anderson’s UFO. You can read up on the back story of this project in part one.

Below you can pages 16-23 of the #0 issue, comparing the pencil art by myself, the inks by Joseph Rubenstein, and the colors by Matt Webb. Obviously the lettering is not in place.

Page 16 – Foster and a SHADO Mobile have some trouble from a local hunter AND an alien UFO that was hidden in a lake.
 

Page 17 – The SHADO Mobile takes off in pursuit of the UFO, which is headed towards London.
 

Page 18 – The SHADO Mobiles pursue the UFO down the M4 highway towards London. So much for SHADO operating in secret! Meanwhile, General Henderson takes issue with Commander Straker.
 

Page 19 – The Mobiles finally get a bead on the last UFO, just as Straker and Henderson run outside in time to see it falling from the sky.
 



Page 20-21 – A double page spread showing the damaged UFO crashing to the ground and skidding across the parking lot of Harlington-Straker Studios (the ground-level cover for the underground SHADO HQ) before coming to a stop at the feet of Straker and Henderson.
 

Page 22 – Foster arrives just in time to watch Straker and Henderson argue in the aftermath of the UFO crash.
 

Page 23 – More talking. More burning.
 

Page 24 – Straker worries  about the future as the #0 issue comes to a close.
 
This concludes the issue that was intended as a big “Series Finale” in comic book form, and was to have been followed by a 6-issue mini-series that would have been a sequel to UFO, picking up several years after the time of the TV series.
 
You can read Part 1 with the project backstory and the first five pages here.
 
Part 2 featuring pages 6-15 of issue #0 is here.

Gerry Anderson’s UFO – part 2

Here’s part two in a series collecting the art from an unpublished comic based on Gerry Anderson’s UFO. You can read up on the back story of this project in part one.

Below you can see pages 6-15 of the #0 issue, comparing the pencil art by myself, the inks by Joseph Rubenstein, and the colors by Matt Webb. Obviously the lettering is not in place.

Page 6 – One of my favorite pages from the comic – the iconic Interceptor take-off sequence, as seen in almost every episode of the TV show.

 

Page 7 – Another iconic scene – missile-firing Interceptors doing battle with incoming alien UFOs.
 

Page 8 – Commander Ed Straker and Colonel Paul Foster supervise from SHADO Headquarters.
 

Page 9 – After conferring with the famously purple-wigged women staffers of Moonbase, Straker gives the order to launch SkyDiver!
 

Page 10 – The Sky 1 section of SkyDiver takes to the air to challenge the UFOs entering Earth’s atmosphere.
 

Page 11 – As Foster and Straker look on, a lone UFO makes it past SHADO’s forces to land somewhere in rural England.
 

Page 12 – A UFO pilot kills a hunters dog… and pays the price!
 

Page 13 – As the hunter loads the UFO pilot onto his truck, SHADO Mobiles arrive on the scene!
 

Page 14 – The hunter is as alarmed by the arrival of SHADO as he was by the alien ship!
 

Page 15 – I tried to create a cutaway view of the interior of a SHADO Mobile – which was challenging given that the interior set fits rather uncomfortably into the shape of the exterior model!
 
 You can read Part 1 with the project backstory and the first five pages here.
 
Part 3 of this post with pages 16-24 is here.

Gerry Anderson’s UFO – part 1

Here’s a glimpse of a comic that never happened, a comic based on Gerry Anderson’s UFO, a 1970 live-action British Sci-Fi series from the same producers as Space: 1999 and Thunderbirds. A comics publisher had secured the rights to a comic book adaptation, and a 7-issue mini-series was mapped out. Issue #0 would have taken place immediately after the TV series, and would have essentially acted as a series finale. Issues #1-6 of the series would have picked up more than a decade later, acting as an epic sequel to the TV show.

The pencils, inks, colors and lettering were completed for the #0 issue, and pencils to #1 were underway when the plug was pulled at the publisher end due to lack of funds – another project that had been expected to fund this one hadn’t been the success that had been hoped for, and the money to produce and publish the mini-series wasn’t there. Valiant efforts to save the project were made, but the whole thing just folded. I’m happy to say I was paid for the work I completed, but I really wanted to see this project reach an audience.

The inks on the book were by Joseph Rubenstein whose work I’d known from everything from the Official Handbook of the Marvel Universe to some of John Byrne’s issues of Captain America. The colors were by colorist Matt Webb.

Here’s a taste of the comic that might have been…

UFO #0 pg 01 pencils

UFO #0 pg 01 inks

UFO #0 pg 01 colors

Page 1 – This opening page shows Commander Straker’s futuristic car (this was taking place in 1980 after all!) pulls up to the Harlington-Straker Studios building, the ground-level cover for the secret underground headquarters of SHADO, covert defenders of the earth from alien invaders. One wonders if they coordinated their efforts with UNIT. In the shadow of Straker’s car (shadow/SHADO – get it? GET IT?) we see some of the vehicles depicted with fabulous model work on the show, the hallmark with Gerry Anderson productions of the era.

As I have a copy of the lettered version of this page, here’s a look at what the finished page would have looked like.
 

UFO #0 pg 01 letters

 

UFO #0 pg 02 pencils

UFO #0 pg 02 inks

UFO #0 pg 02 colors

Page 2 – Straker’s entire movie studio office is actually an elevator that takes him to SHADO Headquarters, located below the studio. (I wonder how everyone ELSE gets down there? Surely they don’t ALL go in and out of Straker’s studio office…
 

UFO #0 pg 03 pencils

UFO #0 pg 03 inks

UFO #0 pg 03 colors

Page 3 – SHADO operatives talk business in the office of Ed Straker (played by Ed Bishop). We had the mixed blessing of being able to use likenesses of the cast of the TV show, which was great from the sense of making the comic look and feel like the show, but it meant having to work from photo reference which is time-consuming and limiting. I was looking forward to the issues that would be set more than a decade later, which would allow me to get further away from photo-realistic likenesses of the actors. More of those spiffy Gerry Anderson vehicles can be seen in the last panel. I’m like the little touch of the shadow being cast on the cloud below.
 

UFO #0 pg 04 pencils

UFO #0 pg 04 inks

UFO #0 pg 04 colors

Page 4 – Straker confers with Colonel Paul Foster (as played by Mike Billington) and then the pair respond to an emergency thanks to an early warning from the Space Intruder Detector (SID) satellite. I took special care to be accurate with my depictions of the vehicles, which were as much the stars of the show as the humans. You begin to get a sense here of the rather unique fashion sense on display in UFO. Very mod, or as Gerry Anderson fans would say, “fab.”
 

UFO #0 pg 05 pencils

UFO #0 pg 05 inks

UFO #0 pg 05 colors

Page 5 – This page provides a look at the Moonbase which was the principle staging area for SHADO’s efforts the fend off alien invaders, as well as the purple wig and silver jumpsuitwearing female Moonbase staff. The wigs were intended to be part of the uniform and… yeah, I know. It’s kind of weird. Hey, it was the 60’s. No, wait. It was 1970. But meant to be 1980. I’m getting confused…
 
You can see Part 2 of this post with pages 6-15 here.
 
Part 3 of this post with pages 16-24 is here.