New Young Justice print!

I wanted to show you guys a preview of the new print I’ll have debuting at C2E2 in a couple of weeks!

When word got out that the Young Justice comic book series that I drew was coming to an end, I got asked a lot if I had done any Young Justice pin-ups or prints. “No,” I always told people, “I’ve been too busy drawing the comic!”

C2E2 (The Chicago Comic Book and Entertainment Expo) will be the first major convention I’ve attended since Young Justice came to an and, so of course I HAD to have a Young Justice pin-up in time for the show. I’ll be making the pin-up available as a print at C2E2, and after the convention it will be available in my Etsy Store.

I’ll have more information about my schedule and other fun stuff I’ll be doing at C2E2 online soon! I’ll be at Table B7 in Artists Alley doing commission sketches and selling original comic book art at the show I hope to see many of you there!

A tale of Batman, me, and one young fan.

“Check Please!” says it all…

I just told this story in responding to a comment on another post and I thought it was worth sharing with a wider audience.

I remember one of my earliest conventions at which I had a table as an artist – it was before I’d “broken in” to do work for DC Comics or any other major publisher. I had displayed a Batman drawing I’d done on the wall behind me – it was my response to a lot of Batman art I’d seen that didn’t strike me as having a lot of mood or atmosphere. My piece was a black and white ink drawing that was 90% black with just a moon and just enough edge-lighting in white to make out the shape of Batman’s cowl and cape.

This young kid was walking buy my table and the sight of that Batman drawing stopped him in his tracks. He looked up at the drawing and his eyes got big. “Do you… draw Batman?” he asked me.

“I drew that Batman, if that’s what you’re asking, but I haven’t worked on the comic book yet, no.”

“Oh,” the kid matter-of-factly replied, and walked away without saying another word.

This is NOT the Batman drawing from the story…

I thought it was pretty funny at the time, and I *still* think it says something about fans and conventions – but don’t ask me exactly what that is!

A Guide to Asking for Signatures and Drawings at Conventions

I recently got asked on my Facebook page if I could share my thoughts on fans asking for autographs and sketches at conventions. I thought others who are new to attending conventions might enjoy hearing the basics of this process. I can only offer my perspective, but it might prove useful for anyone approaching other artists or celebrities at conventions as well.

Speaking for myself, I’m happy to sign anything I’ve worked on for fans at a convention, whether they’ve bought it from me or not. Sometimes you’ll see celebrities at conventions who charge for their autographs, or will only sign the items they’re selling. This tends to be most common with actors selling photographs of themselves at conventions. Usually celebrities with these kinds of restrictions will have signage at their table clearly stating their policies.

While those policies can be frustrating, keep in mind that such revenue is probably a big factor in that celebrity being at the convention at all, and convention appearances may be an important source of income for them. Often the celebrity is willing to sign a personal item for a fan, but if I’m going to wait in a signing line to speak to a celebrity at a convention I try to purchase something from them as a courtesy. I feel like it’s my way of paying for the opportunity to meet them and have that brief exchange with them when I get my turn at the front of the line. Otherwise I’m taking up their time and trying to get something from them for free when they’re trying to make some money and there is a line of people behind me waiting to do business with them.

Regardless of what a given celebrity’s policy is, if you’re going to ask for a signature on an item you’ve brought or for a photo with them, ask politely. And if they decline, accept that decision politely. You might think you’re only asking them for a small thing, but to that celebrity, doing it for you may make them feel obligated to do it for everyone. And that might be more of an obligation than they can afford to make.

As far as asking for artwork, I’ll often have fans ask me for a free sketch, and typically I’ll politely decline. I’ll occasionally throw in a quick head sketch with a signature for young fans at the conventions, but it’s at my discretion. It’s something I like to do for kids, but it’s very dependent on how much time I can spare at that moment. On the other hand, when an adult asks for a free sketch, it can come across as “I want the service you’re charging for, but I don’t want to pay so why don’t you just give me something for free?” Also, although this is rarely the case where I am concerned, it’s important to note that sometimes an artist is at a convention but they aren’t doing commission sketches at all. They might be there to sign autographs and sell pre-made prints or books, but aren’t drawing at the show.

(Here’s a tip – If you want a sketch from an artist at a convention and can’t afford what they’re charging, be on the lookout to see if they’re doing a signing for a publisher. Sometimes an artist will be doing quick sketches for free in such a setting that they aren’t doing when at their own table. Free sketches tend to be relatively quick and simple – you get what you pay for – but they’re better than nothing, right?)

Regardless of the setting, if you ask for a sketch, again – ask politely. And if the artist declines, accept their refusal politely. It’s expensive for creators to travel to attend a convention, and often they’re paying for that table in an Artists Alley. Commission sketches are a big part of how artists try to offset some of those expenses – with no guarantee of making enough to show a profit.

As a rule, creators and celebrities love meeting fans. It’s always great to hear from people who enjoy your work. But there are mercenary fans who try to ruin it for everybody. It’s not uncommon to see a convention sketch or autographed item for sale on eBay or elsewhere, usually for a higher amount than what was paid to the artist/celebrity (assuming they were paid anything.) And, the surest way to make a creator whose work you enjoy feel terrible is to act entitled and treat them as though by showing up they’re now obligated to do whatever you ask of them. So, well, don’t do that. Just be polite and courteous and you’ll both have a great experience!

“Can I please get a photo of you Mr. Freeman? I loved you on The Electric Company!”

Don’t get me wrong on any of this – I love meeting fans. I really enjoy attending conventions and encounters with fans are almost always the biggest highlight of the weekend for me, and I think most comics pros feel the same way. But I’ve been approached by a lot of fans both the right way and the wrong way, and the fondest memories are definitely of the fans who did it the right way!

So for the final time – our two recurring themes:

By all means ask for that autograph, personal photo or whatever, but do so politely.

If the answer is no, accept that answer politely, and understand that there may be a good reason that no needs to be the answer.

Digital Comics Distribution – What does the Future Hold?

Marvel has launched Digital Comics Unlimited  recently- access to over 13,000 comics from their digital catalog for a monthly or annual fee. It’s sort of like a Netflix for comics, but only Marvel comics. You can read more about it here.

The news of their unique distribution model got me thinking. It’s been obvious for a while that digital distribution was a big part of comics’ future – the question has been what form would it take? The relative success of Marvel Unlimited could have a lot to do with the future of how comics are made available as a product.

There’s been no small amount of ink and pixels used to talk about how much the monthly comic book has become a dinosaur. I have as much sentimental attachment to it as anyone, but the realities of the market and printing have driven the cost up to $3.99 or more for what is still a 15-20 minute read at best. I don’t think the monthly comic will completely go away any time soon, but I strongly believe that you’re going to see more and more titles available only in digital form while being serialized, until they are collected in a print edition/trade paperback/graphic novel exactly as they are today.

The other big advantage of digital distribution is that it digs the industry back out of the hole it created when it went all-in on direct distribution back in the 80’s, moving away from magazine-style distribution that made comics a common staple of news stands and drug stores to being a specialty item that you had to go to a niche comic book shop to find. Not only does that prevent your product being seen by casual readers and impulse buyers, but many potential comics readers don’t live anywhere NEAR a comic book shop. Digital distribution makes comics available to anyone with an internet connection, giving them greater exposure and potential readers greater access. More and more, digital distribution is transforming every corner of the publishing world, and that’s going to include comics. The publishers would be crazy not to try to get out in front of it, so comic book shops will have to adapt and evolve as any retail store needs to do to survive in a changing marketplace. (Many already have, and sell toys, games, a large selection of trade paperbacks/graphic novels, and other pop culture items right along side comic books, as well as hosting events and other outreach initiatives.)

When digital comics first emerged, a lot of the attention was on format – how to create the best viewing experience on a desktop computer, or a laptop or Kindle, while still preserving something of the traditional comic book look-and-feel, and hopefully keeping the content in a form that could work both digitally and in print. We seem to be moving past that now and the next question is what will become the prevalent business model for digital comics in the 21st Century marketplace? Will each publisher have their own digital comics platform, or will there be one distributor that carries content from multiple publishers?

Consider the iTunes model, with the alternative being that each music label had their own, exclusive platform for music downloads. Or Netflix, with the alternative that each movie studio had their own platform. The publishers would love to have their own platform – it cuts out a 3rd party middle-man from taking a share of the profits. But is that what the consumer wants? Savvy music and movie buffs may pay attention to what music label or movie studio produces the entertainment they enjoy, but most consumers just follow the artists they like. A typical moviegoer will decide to see a film based on the cast or director, or if the trailers and commercials look good, but don’t care if the film was produced by Warner Brothers, MGM or Sony. With comics, the major publishers have franchises and characters they’d prefer that you follow. It’s great if you’re a fan of Matt Fraction or Greg Capullo, but while the publishers are happy to take full advantage of a creator’s talents and star power, they’d rather you follow their characters, since they OWN those and will always be able to reap the rewards of that following.

Then there’s the question of paid downloads versus a different profit model. Many web-based comics give the content away for free on line, but make their money from advertising, merchandise, or print editions. This has the advantage of making the potential piracy of the digital content a relative non-issue. Still others use a pay-what-you-can or donation model, which depends on an appreciative fan base wanting to support the creators of the content they enjoy and willing to contribute for the sake of its continuation.

While the digital comics landscape may never distill itself down into a single unified system, it seems likely that a particular model will become the dominant one, with the major content producers adopting a preferred system and a conventionel wisdom emerging as to what is the most profitable model. Like many of the format wars of the past, the winner may not be the best system. Many people will tell you that Betamax was better than VHS, or that HD-DVD had advantages over Blu-Ray, but in the end the inferior formats won decisive victories in the marketplace because of locking up market share.

There’s a lot of experimenting going on right now with digital distribution models, and a lot of competition for market share. DC and Marvel are both pushing digital editions of their comics, either directly or using partners like Comixology. Mark Waid’s Thrillbent is another new player on the scene, trying to produce content exclusively for the digital realm and offering it to readers for free.

Again, I don’t think digital means end of the comic book. But it’s a new format and a chance to reach more readers. How’s that going to work in the marketplace five or ten years from now? Your guess is as good as mine… but I can’t wait to see what it all looks like!

Young Justice Invasion: Volume 1 coming in December

Young Justice #20

Young Justice: Invasion – Volume One TP
Writers: Greg Weisman
Artists: Christopher Jones
Collects: Young Justice #20-25
$12.99 US, 160 pg

With Volumes 1-3 the collected tie-in comic for the Young Justice animated TV series in print, I had been hoping for some news on a Young Justice: Volume 4, but it seems instead that the last 6 issues will be collected as Young Justice Invasion: Volume 2.  It’s funny that they went that way – when we were talking about the comic making the jump to the timeframe from Season 2 of the show, there was talk of rebranding the comic as Young Justice: Invasion and getting a new #1 issue. But that didn’t happen – they just continued on with the existing title and numbering, just designating the “Invasion” storyline with a subtitle and numbering it as 1-6 of 6. I guess someone decided that Young Justice: Invasion Volume 1 was more marketable than Young Justice: Volume 4. Fair enough.

Young Justice #23

Young Justice #24

Young Justice #25

The book won’t be out until December. I’m not sure why there’s such a delay, but better late than never! Young Justice recently aired its final episode earlier this month on Cartoon Network. The series is set to remain in reruns for at least a couple more weeks before being shuffled out of the DC Nation programming block. A lot of people are looking for ways to show their support for the Young Justice series right now, and pre-ordering this would definitely be one way to do so! Or, you could just pick it up when it comes out because it’ll be a good read!

Until then, Volumes 1-3 of the COLLECTED Young Justice are available NOW!
Look for them at your local comic shop or bookstore, or order a copy online!

VOLUME 1 Collecting #0-06! $12.99

VOL. 2 – Training Day Collecting #07-13! $12.99

VOL. 3 – Creature Features Collecting #14-19! $12.99