The Amazing Spider-Costume

5pGvv8E

Today Comingsoon.net released our first look at the updated Spider-man costume from the upcoming sequel to The Amazing Spider-man. (Amazing Spider-man 2? Spectacular Spider-man? Amazing-er Spider-man?) I thought it would be worthwhile to update a post I made when we were getting our first looks at the costume from the previous film.

While I find it weird that after such an extreme redesign of the Spider-man costume in the previous film to something so close to the suit from the Sam Raimi Spider-man films, I have to applaud the fact that for the first time in five films they have gotten the eyes right. I’m still not thrilled with the hard-shell lenses, and I don’t think they have to be as large as the ones here (although at least they eyes aren’t of McFarlane-esque proportions), I love that these have the swoop and aesthetic feel that the eyes have usually had in the comics costumes, as opposed to the more triangular shapes we’ve had previously.

MV5BMTI2MjU3ODM0Nl5BMl5BanBnXkFtZTYwMTA4OTI2._V1._SX450_SY302_

No, not these eyes either.


I was pretty vocal about not being a fan of the costume from 2012’s Amazing Spider-man when we first saw it. It struck me as a radical and unnecessary redesign of one of the best costumes in comics. While this sneak peek at the costume from the sequel looks like we’re going 180 degrees from that to the closest we’ve yet gotten to the comic book costume, I still feel it shares certain problems with all the previous cinematic Spidey suits.

There’s a tendency to give superheroes in movies costumes that LOOK AMAZING on screen with a depth of detail and texture, but that sometimes defies the logic of the character and the story.

It actually started with Sam Raimi’s Spider-man from 2002. Oscar-winning costume designer James Acheson did some genius things with that costume. Previous superhero films had either had actor bulk up for the role and then put him in spandex, like the Christopher Reeve Superman costume, or had been given a bulky muscle suit like the Michael Keaton Batman.

supermanreeve_02

Christopher Reeve as Superman (1978)

50

Michael Keaton as Batman (1989)


Both of these were reasonably successful for their time, but the bulky Batman costume was inflexible and didn’t move well, and Superman often didn’t look as physically impressive as he might have otherwise given the tremendous shape Christopher Reeve was in, given the way Spandex tends to round off and compress the musculature of the body underneath. Neither of these approaches were going to work for Spider-man.
spider-man1

Tobey Maguire (or a stuntman?) in Spider-man (2002)


James Acheson realized that bulking an actor up with muscle suits looks fake, he created a thin, sculpted muscle suit that didn’t bulk up the actor, but merely restored the definition that would be otherwise lost to the spandex costume that was then worn over the top. This was further enhanced with computer-rendered mesh patterns and shading over the surfaces of the costume that added to the illusion of super-heroic musculature to the suit. The thin muscle suit under the spandex worked like a charm, but I always thought muscle textures worked better on the darker parts of the suit, and that the muscles on the red chest and abdominal areas looked painted on, raising the question of why it was a priority to Peter Parker to look like he had six pack abs at all times.

superman returns texture

Superman Returns (2006)

manofsteelposterpost

Man of Steel (2013)


Of course the overall effect was a huge success and the movie was a smash, so it’s not surprising that this innovative costuming approach became a trendsetter for many films to follow. Both Superman Returns and the new Man of Steel featured Superman costumes adorned with fine repeating patterns. The Superman Returns version had a pattern of tiny S-shields on parts of it which seemed silly to me, while the Man of Steel version looks like chain-mail armor, which strikes me as unnecessary.

spock shirt

Starfleet Uniform from Star Trek (2009)


This fine screen-print pattern business even made it’s way onto the Starfleet Uniforms in the 2009 Star Trek film with a field of repeating Starfleet arrowhead logos!

With all the other changes made to the 2012 Amazing Spider-man costume, the texture pattern evolved as well. This time it looked like it was sculpted into the surface of a more rubbery suit. The web patterns had changed as well. The Raimi suit had been reasonably faithful to the stylized, scalloped web pattern of the comics, and had transformed the black lines of the comics into raised shapes applied to the surface of the costume. The 2012 suit  turned those lines into a grid pattern that seemed to be pressed into the surface of the rubbery material. This texture in conjunction grid pattern gave Spidey’s head enough resemblance to basket ball to produce a few Spalding-man jokes.

the-amazing-spiderman-is-a-basketball_1

The Amazing Spaulding-Man


Now it seems like the whole design aesthetic from the 2012 film is being dropped. The scalloped web pattern is back, and from what we can see I’d guess the more traditional patterns of red and blue from the comics will be back as well.  I’m betting the odd sports shoe boots are gone as well. The raised webbing patterns and screen printed textures of the Raimi suit are returning, but with eye shapes more closely resembling the comic book costume than we’ve had previously.

Misguided Olympic Speed Skater

Misguided Olympic Speed Skater

$10,000 Spider-man Costume

$10,000 Spider-man Costume

Lives with Aunt May

Lives with Aunt May


So why am I complaining? Why am I not yet completely satisfied? Is there no pleasing me?

I think this costume is going to be gorgeous, but I don’t for one second believe it’s something that Peter Parker made in his bedroom on a shoestring budget. Yes, the costume looks like a million bucks. But it shouldn’t. Thor can have a magic suit. Iron Man armor should look like it cost a billion dollars. But Spider-man is a character who is by definition a struggling young science-nerd with limited resources. His costume should reflect that. I’d love to see a Spider-man costume in a movie that looks hand-made. Maybe with practice, Peter gets better at making them over time, or even buys a professionally made one after Spider-man becomes a celebrity and a popular subject for masquerade costumes! But I’d still love to see a Spider-man movie where Spidey’s costume accumulates damage and patches and stains as he has his rough-and-tumble adventures.

SpideyElectric

The Electric Company Spider-man Costume


And for the record, I still think that Peter Parker’s first Spider-man costume probably most resembled the very first live-action Spider-man – the one from The Electric Company! Don’t worry – even I think later versions got better!

Marscon – March 1-3

Marscon T-Shirt art I did in 2001

Marscon T-Shirt art I did in 2001

I just did an update of my Appearances page, to among other things show that I’ll be at Marscon in Bloomington, MN coming up soon on March 1-3. I’ll be on a couple of panels (details below) and will have prints in the Art Show. If you’re there, find me and say hello!

Both my panels are on Saturday March 2 in the Krushenko’s programming space in Room 1332.

1:00pm – Social Media Marketing

2:00pm – Female Fandom in Comics

Do you want to see me at your convention or event?

Let me know by sending me an email at Chris@ChristopherJonesArt.com.
(I never charge an appearance fee but help with travel and hotel costs is always a plus!)

I hope to see you in the coming year!

 

 

OUT NOW – Young Justice #25: INVASION 6 of 6 (Final Issue)

Young Justice #25

Young Justice #25

And so the epic saga concludes (in comic book form anyway) withYoung Justice #25, the final issue of this DC Comics title based on the Cartoon Network animated series of the same name. Official details and preview pages are available below.

YJ_25_1

Preview Page 1

YJ_25_2

Preview Page 2

YJ_25_3

Preview Page 3

YJ_25_4

Preview Page 4

YJ_25_5

Preview Page 5


YOUNG JUSTICE #25: INVASION 6 of 6
Written by Greg Weisman
Drawn by Christopher Jones
Color by Zac Atkinson
Cover by Christopher Jones

• FINAL ISSUE
• The heroes make their last stand against Kylstar and Brainiac!
• Metropolis is still in danger, but now the entire planet risks destruction!
• Deadshot hits his target!

That’s what the DC Comics solicitation says, but odds are you’ll be more concerned about scenes with Dick Grayson that begin and end the issue, and with two very different moments in the history of the relationship between Superman and Superboy. And then there’s that scene with the truck

The cover price for this issue is $2.99US.
Be sure to pick the issue up at your local comics shop or in digital form!

And don’t miss the COLLECTED Young Justice!

1235243

VOLUME 1
Collecting #0-06! $12.99

1204269

VOL. 2 – Training Day
Collecting #07-13! $12.99

1290911

VOL. 3 – Creature Features
Collecting #14-19! $12.99

Gallifrey One 2013 – Part 1 of 4

I’m back from my whirlwind trip to Los Angeles and Gallifrey One, and what an adventure it was…

THURSDAY

Traveling with my partner-in-crime Hal we arrived in L.A. the morning of the Thursday before the convention and took a shuttle to the Airport Mariott, where the convention would be held that weekend. That wasn’t where we were *staying* that night, mind you, but it was the closest location to the car rental location we wanted to reach. While Hal babysat our luggage in front of the Mariott, I walked over to fetch us a car for the next two days. Once I had the rental car I zipped over to pick up Hal who was happily soaking up the California weather (February in L.A. is much nicer than February in Minneapolis), and took us both down the road to the Travelodge, which was significantly cheaper than the Mariott when the convention rate isn’t being offered! Our room wasn’t available yet at that early hour, so we left our luggage in the car and grabbed a surprisingly good brunch at the Denny’s that adjoins the hotel.

OLYMPUS DIGITAL CAMERAdenny-s-century-blvd


By the time we’d finished eating our room was ready, and once Hal and I were checked in we drove across town to Burbank to the studios of The Tonight Show, where we’d arranged to see the taping before meeting up with my friend Wally Wingert, who serves as the show’s announcer in addition to his other work as a voice actor. Having attended a taping of the Craig Ferguson show the year before, the contrast was striking. The Ferguson taping had a more severe approach to security, and a much more aggressive comedian doing warm-up in their frigid studio, practically brow-beating the audience into being responsive to the show and juicing everyone up with candy. At the Tonight Show taping we were simply asked to keep any cell phones off and in our pockets, and the warm up was entertaining with a minimum of coaching. Jay came out to do part of the warm up himself, and I found his spontaneous interaction with the audience to be more engaging than any of the scripted material in the show. You get a strong sense of how those skills got him to where he is. The show itself was filled with performers I wasn’t familiar with, although an animal segment included an ostrich that was pretty entertaining. I’m still a bigger fan of the Ferguson show when watching from home, but if given a chance to see a live taping again, I’d choose The Tonight Show in a heartbeat.

tonight_showGally1 - Following Wally

After the taping Wally emerged and found Hal and me in the audience. He led Hal and me across the tonight show stage and took us back to see the edit bay where his sound booth is located. It was rather surreal to walk through the very impressive facade of the Tonight Show stage and suddenly be in office space. We’d planned to grab dinner with Wally but first he had to make a pit-stop at home to feed his animals, so Hal and I walked to our rental and Wally was going to drive around and meet us. Rather than stop so we could confer on where we were going, Wally did something of a drive-by, leaving us to follow him through across the highways and byways of deepest, darkest Burbank following his vanity-plate branded convertible, Wally’s hair blowing in the wind, hoping desperately we wouldn’t miss a turn and lose him on the way there.

429579_328083860562549_711643080_nGally1 - Wally Scarecrow & Me


We managed to stay with him and soon were at Wally’s apartment (aka WallyWorld) and were treated to a tour of the latest additions to the museum of memorabilia that is Wally’s home. After being photographed with Wally in front of his Adam West Batman shrine last year, this year we opted for Wally’s Scarecrow of Romney Marsh costume as the backdrop for our annual photo-op. While there we got to meet Wally’s dog Roxy, who is a sibling of the current Lassie! We learned that even though there aren’t any currently planned Lassie productions for TV or film, in addition to the need of a Lassie for the occasional live appearance, the family that owns the Lassie franchise always keeps a fully-trained adult Lassie “on deck” so that one is available in case a project comes up, as it can take years to train new one. So yes, even Wally’s dog is part of a pop-culture collection!

Afterwards we met up at Jerry’s Famous Deli for dinner with Wally and some other of Wally’s friends including Brittney Powell, star of the long-running High Sierra Rescue television series with Robert Conrad. She was also on Safety Geeks: SVI and something called Xena: Warrior Princess. She was actually a lot of fun and planned to stop by the Gallifrey One convention on Saturday.

425px-Brittney_Powell_from_Safety_Geeks_SVI_cropHigh Sierra Search and Rescue


We’d had hopes of dropping by the Marriott to pick up our Gallifrey One badges and investigate when we could begin art-show set up the next day (the web site only said “morning”), but by the time we got back to the LAX area from Burbank it was after 10:00pm, so we just went to our room and crashed.

FRIDAY

Friday morning was going to be busy. I’d tried to arrange a time to get together with my Young Justice collaborator Greg Weisman while in Los Angeles, and the only time that seemed to be available was lunch on Friday. That means lunch had to happen in a narrow window of time between Art Show set up at Gallifrey One Friday morning, a 45-minute drive to Greg’s office where we were going to meet before walking to a nearby spot for lunch, and then leaving in time for the drive back to the Gallifrey One hotel and dealing with parking before a panel at 2:30pm that I was on!

Gally1 2013 - Art Show

 

Unfortunately we weren’t able to start setting up in the Art show until about 10:00am, and the process of fitting pegs to pegboard in a carefully-spaced pattern, fitting binder clips to all my prints, hanging them, and then entering all the prints into the computer system so we could print out the control sheets and post them took us until noon. Sadly, I had to call Greg to let him know that our plans had gone awry and we wouldn’t have time to get across town to meet him for lunch.

OH NO! LUNCH PLANS WITH GREG WEISMAN DASHED!
Could we re-schedule?

Would I miss this rare opportunity to see Greg in person?

SPOILER REQUEST! NO COMMENT!

Now with a little extra time to spare, Hal and I began exploring Gallifrey One 2013, and tried to meet up with our friends Mike and Alicia who we were sharing a room with at the convention. Soon it was time for the first of my two panels at Gallifrey One: Design and Illustration, which featured Paul Hanley, Blair Shedd, Maureen Starkey, myself, Richard Starkings and Charlie Kirchoff. None of us knew exactly what the panel was supposed to be about beyond the title, but given the backgrounds of who was on the panel, we tended to focus on the process behind creating comic book art – which certainly meant that I was right at home!

Gally1 2013 - Design and Illustration

By the time the panel got out we were finally able to get into our room at the Mariott, so I fetched the luggage from the car and we moved in. After that there was just a little more time for wandering and exploring the convention before it was time for Opening Ceremonies. The lineup of guests was especially impressive at Gallifrey One this year year, and usually despite the best of intentions to the contrary, the weekend flies by without my having made it to panels or through autograph lines to see more than a fraction of them, so I didn’t want to miss seeing them all file out onto the stage at Opening Ceremonies. There were plenty of guests I’d have loved to meet, but at the top of my list was Sylvester McCoy. Not only was I a big fan of The Seventh Doctor, but I hoped to give Sylvester a framed copy of the new print featuring his Doctor and Ace battling Daleks that I had completed just in time for the convention.

Come on Ace - Framed Print prev

After Opening Ceremonies, everyone in our group was ravenous. Having missed out on lunch with Greg, I hadn’t eaten all through a busy day. Since in anticipation of that lunch I’d held onto the rental car for a second day and didn’t need to return it until Saturday morning, so I offered to drive our party somewhere for dinner, as it would be our last chance for the weekend to go somewhere that wasn’t in the hotel or within walking distance. Alicia found a listing for a Mexican restaurant about 15 minutes away by car, so we headed there and stuffed ourselves with fine south-of-the-border style cuisine. Margaritas were had by all – except for me, as I was driving! I dropped the rest of the crew off at the hotel, then swung by a gas station, topped off the tank in the rental car, and returned it to the rental place since I wouldn’t have need of it again before it was due back the next morning. I then hoofed it back to the Mariott.

By the time I got back, I had the energy for a quick tour around the lobby, but for all the people there chatting (fans at Gallifrey One call it “LobbyCon”), I wasn’t seeing any familiar faces to engage in conversation with and didn’t have enough energy left to try to insert myself into a conversation with strangers so I decided to call it a night and be better rested for the next day.

NEXT: SATURDAY

You can find all the installments of my Gallifrey One 2013 trip by clicking the link.

In Stores NOW: Young Justice – Volume 3

Mine, all MIne! (Until February)

Mine, all Mine!

Young Justice: Volume 3 – Creature Features is in comic book shops and book stores TODAY! Volume 3 collects issues #14-19, featuring our Atlantis, Kobra Cult and Gorilla City storylines. Carrying a cover price of $12.99, this volume joins Volume 1 (issues #0-6) and Volume 2 – Training Day (issues #7-13).

Young Justice #14-15

Young Justice #14-15

Young Justice 16-17

Young Justice #16-17

Young Justice #18-19

Young Justice #18-19


Young Justice: Volume 3 is written by Greg Weisman, drawn by Christopher Jones, colors by Zac Atkinson, and a story drawn by guest artist Lucciano Vecchio.

If you can’t find a copy at your local comic shop or bookstore, you can ask them to order one, or order it on line from a source like Amazon.com!